Ave Maria Vivaldi

27 October 2020, 11:02

Spring from 'The Four Seasons' by Antonio Vivaldi Spring from the Four Seasons (beginners) by Antonio Vivaldi 'Spring' from the Four Seasons by Antonio Vivaldi Nocturne Op9, No2 by Frederic Chopin Ave Maria by Charles Gounod Prelude in C sharp Minor Op. 2 by Sergei Rachmaninoff.

  • Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title ' Ave Maria ' (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem.
  • 652 PDF + 663 MP3 + 143 MIDI - Antonio Lucio Vivaldi (March 4, 1678? July 28, 1741), nicknamed il Prete Rosso (.
  • 'Ave Maria' is one of the best known and beloved pieces of Christian religious music. The version written by Franz Schubert is widely sung at Catholic masses and other Christian religious ceremonies: and its text is a literal translation into Latin of the famous 'Hail Mary' prayer.

It’s a humble Catholic prayer, with a simple but incredibly moving tune by Franz Schubert. But who has performed ‘Ave Maria’ and what are the lyrics?

Despite being one of the world’s favourite settings of ‘Ave Maria’, Schubert never actually wrote a piece called ‘Ave Maria’.

Schubert’s music was actually called ‘Ellens dritter Gesang’, which translates as ‘Ellen’s Third Song’. He wrote it in 1825, aged 28, to the words of Sir Walter Scott’s epic poem The Lady of the Lake. The song does contain the words ‘Ave Maria’, but only in reference to the prayer itself.

Now one of Schubert’s most popular works, ‘Ave Maria’ has been recorded by numerous artists, with lyrics that largely differ from the original poem.

Andrea Bocelli, Maria Callas and Celine Dion have all recorded beautiful versions, as has the inimitable Luciano Pavarotti:

What are the lyrics to ‘Ave Maria’?

Ave Maria
Gratia plena
Maria, gratia plena
Maria, gratia plena
Ave, ave dominus
Dominus tecum
Benedicta tu in mulieribus
Et benedictus
Et benedictus fructus ventris
Ventris tuae, Jesus.
Ave Maria

Ave Maria
Mater Dei
Ora pro nobis peccatoribus
Ora pro nobis
Ora, ora pro nobis peccatoribus
Nunc et in hora mortis
Et in hora mortis nostrae
Et in hora mortis nostrae
Et in hora mortis nostrae
Ave Maria

English translation:

Hail Mary, full of grace,
Mary, full of grace,
Mary, full of grace,
Hail, Hail, the Lord.
The Lord is with thee.
Blessed art thou among women, and blessed,
Blessed is the fruit of thy womb,
Thy womb, Jesus.
Hail Mary!

Hail Mary, Mother of God,
Pray for us sinners,
Pray, pray for us;
Pray, pray for us sinners,
Now and at the hour of our death,
The hour of our death
The hour of our death,
The hour of our death
Hail Mary.

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Michael TalbotSee All Contributors
Professor of Music, University of Liverpool, England. Author of Vivaldi.
Alternative Title: Antonio Lucio Vivaldi

Antonio Vivaldi, in full Antonio Lucio Vivaldi, (born March 4, 1678, Venice, Republic of Venice [Italy]—died July 28, 1741, Vienna, Austria), Italian composer and violinist who left a decisive mark on the form of the concerto and the style of late Baroque instrumental music.

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Life

Vivaldi’s main teacher was probably his father, Giovanni Battista, who in 1685 was admitted as a violinist to the orchestra of the San Marco Basilica in Venice. Antonio, the eldest child, trained for the priesthood and was ordained in 1703. His distinctive reddish hair would later earn him the soubriquetIl Prete Rosso (“The Red Priest”). He made his first known public appearance playing alongside his father in the basilica as a “supernumerary” violinist in 1696. He became an excellent violinist, and in 1703 he was appointed violin master at the Ospedale della Pietà, a home for foundlings. The Pietà specialized in the musical training of its female wards, and those with musical aptitude were assigned to its excellent choir and orchestra, whose much-praised performances assisted the institution’s quest for donations and legacies. Vivaldi had dealings with the Pietà for most of his career: as violin master (1703–09; 1711–15), director of instrumental music (1716–17; 1735–38), and paid external supplier of compositions (1723–29; 1739–40).

Soon after his ordination as a priest, Vivaldi gave up celebrating mass because of a chronic ailment that is believed to have been bronchial asthma. Despite this circumstance, he took his status as a secular priest seriously and even earned the reputation of a religious bigot.

Youtube Ave Maria Vivaldi

Vivaldi’s earliest musical compositions date from his first years at the Pietà. Printed collections of his trio sonatas and violin sonatas respectively appeared in 1705 and 1709, and in 1711 his first and most influential set of concerti for violin and string orchestra (Opus 3, L’estro armonico) was published by the Amsterdam music-publishing firm of Estienne Roger. In the years up to 1719, Roger published three more collections of his concerti (opuses 4, 6, and 7) and one collection of sonatas (Opus 5).

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Vivaldi made his debut as a composer of sacred vocal music in 1713, when the Pietà’s choirmaster left his post and the institution had to turn to Vivaldi and other composers for new compositions. He achieved great success with his sacred vocal music, for which he later received commissions from other institutions. Another new field of endeavour for him opened in 1713 when his first opera, Ottone in villa, was produced in Vicenza. Returning to Venice, Vivaldi immediately plunged into operatic activity in the twin roles of composer and impresario. From 1718 to 1720 he worked in Mantua as director of secular music for that city’s governor, Prince Philip of Hesse-Darmstadt. This was the only full-time post Vivaldi ever held; he seems to have preferred life as a freelance composer for the flexibility and entrepreneurial opportunities it offered. Vivaldi’s major compositions in Mantua were operas, though he also composed cantatas and instrumental works.

The 1720s were the zenith of Vivaldi’s career. Based once more in Venice, but frequently traveling elsewhere, he supplied instrumental music to patrons and customers throughout Europe. Between 1725 and 1729 he entrusted five new collections of concerti (opuses 8–12) to Roger’s publisher successor, Michel-Charles Le Cène. After 1729 Vivaldi stopped publishing his works, finding it more profitable to sell them in manuscript to individual purchasers. During this decade he also received numerous commissions for operas and resumed his activity as an impresario in Venice and other Italian cities.

Vivaldi Ave Maria

In 1726 the contralto Anna Girò sang for the first time in a Vivaldi opera. Born in Mantua about 1711, she had gone to Venice to further her career as a singer. Her voice was not strong, but she was attractive and acted well. Slack sla. She became part of Vivaldi’s entourage and the indispensable prima donna of his subsequent operas, causing gossip to circulate that she was Vivaldi’s mistress. After Vivaldi’s death she continued to perform successfully in opera until quitting the stage in 1748 to marry a nobleman.

In the 1730s Vivaldi’s career gradually declined. The French traveler Charles de Brosses reported in 1739 with regret that his music was no longer fashionable. Vivaldi’s impresarial forays became increasingly marked by failure. In 1740 he traveled to Vienna, but he fell ill and did not live to attend the production there of his opera L’oracolo in Messenia in 1742. The simplicity of his funeral on July 28, 1741, suggests that he died in considerable poverty.

After Vivaldi’s death, his huge collection of musical manuscripts, consisting mainly of autograph scores of his own works, was bound into 27 large volumes. These were acquired first by the Venetian bibliophile Jacopo Soranzo and later by Count Giacomo Durazzo, Christoph Willibald Gluck’s patron. Rediscovered in the 1920s, these manuscripts today form part of the Foà and Giordano collections of the National Library in Turin.

Ave Maria Vivaldi

Quick Facts

Ave Maria Antonio Vivaldi

born
March 4, 1678
Venice, Italy
died
July 28, 1741 (aged 63)
Vienna, Austria
notable works
movement / style